All posts by Donna Grandin

Peony painting timelapse #3

peony
Peony painting progress  Scroll down to see timelapse video of peony.

Peony Progress

I took the reference photos for this peony painting from a trip to the Royal Botanical Gardens in Burlington. I have a membership, because then I’ll make sure to go several times a year to wander around with my camera looking for inspiration.

The painting is coming along, it should only take another one or two sessions to complete. I’ve been painting faster, and been more focused than I would normally be painting in my home studio, because the camera is on me.

That’s what gave me the idea for doing 30 timelapse videos in 30 days.

I noticed when I did my first timelapse video, that I would listen to a podcast while I painted instead of binge watching  Netflix, or checking social media, e-mail etc., which made me much more efficient.

Though to be honest, watching movies while I paint, is hella fun way to spend my days. Escapism at its best.

Glitches

All it took to fix the glitch (camera slipping) from yesterday, was to tighten a knob.

I’m still not thrilled with my set-up. An iphone attached to a selfie stick duct taped to a filing cabinet.  I’ll have research a better solution, something sturdier.

Meanwhile, today when I checked the video after my painting session, I discovered the whole thing was recorded at a 90 degree angle!

Luckily, I remembered an app on my phone that I’ve used before to help my son prep videos for his YouTube channel. All I had to do was upload the video to Videoshop, and click on rotate, and problem solved.

The video does seem a little smaller though, but at least it was usable. This is after all an accountability tool, I’m not looking to become a viral sensation with these videos.

Speed

Another observation is that my first video was 25 seconds, and about 1 hour of painting, however today was about 3 1/2 hrs, and the timelapse video was 20 seconds long.

AND it looked like I was a bee, or a humming bird, zipping around the peony on the canvas. It was not easy to make out what I was working on, because there was a longer duration lost between stills, which the camera strings together into the video.

On the plus side, you don’t catch all my mis-steps, colours & brushstrokes added and removed. Or every time I walked back to view the painting from further away, or to refill my water container.

Subscribe to my blog (the widget should be on the left if you’re viewing this on your computer), so that you can follow this 30 in 30 challenge.

Have you done, or are you doing a 30 in 30 challenge too? What theme, or what parameters have you set for yourself?

Peony painting timelapse #2

Pink Peony Progress

pink peony
My 30 in 30 challenge

Scroll to the bottom to see the 27second timelapse video of me painting this pink peony.

One January a few years ago, I did Leslie Saeta’s 30 in 30 painting challenge to paint (almost) 30 paintings in 30 days. It was a a lot of work, but fun, and about a quarter of them sold within an hour or two of posting on Facebook!

I did the next challenge that September – she usually does it twice a year and artists from all over the world participate. That time I used it as an opportunity to try out some ideas for painting subjects, and techniques, which resulted in some of my first peacock feather-inspired abstract paintings. 

If you do a search on my site for “30 in 30”, you’ll see some of the paintings I did previously.

Why now?

This time I’ve set myself the challenge to post 30 timelapse painting videos in 30 days.

My main objective is to build up some painting momentum, because in the last year or more I’ve been struggling to put my art practice first.

My second objective is to get back into the groove of marketing my own art, because this is my business, my career, my passion, my creative outlet, my legacy all rolled into one, not a hobby.

Years of volunteer work in my local Arts and Culture community has led me to the point where I’m lucky enough to be able to help create opportunities for other Creatives.

And instead of slowing down, now that we’ve started an Arts & Culture Council, and helped develop a Grant Program, partnered with local organizations to do some fundraisers … bigger and better projects to help develop the Arts & Culture scene, and spotlight fellow artists, are coming our way.

I cannot let this be at the expense of my own art-making, my own business.

So, this February, I’m going to show myself some love. I’m going to put my art first.

Starting out

It has not been easy so far. Yesterday I was on my laptop for most of the time from 9am to 9pm going between meeting notes in Evernote, and my Membership spreadsheets etc, to prepare for the first AGM of our Arts & Culture Council, as well as doing some social media for the not-for-profit.

Thankfully I had done my first timelapse video some time before, (technically it was my second time working on this peony), and I was able to create yesterday’s blog post and add the link to the 30 in 30 blog a few minutes before midnight.

I had a late start this morning, at first spinning my wheels not sure what to tackle first. If it weren’t for the challenge, today would have been just another day lost to a never-ending to do list.

There is something magical about telling people you are going to do something, especially if you then have to do that thing in the public eye.

When I first heard the concept of accountability as a motivational tool, I knew I’d struck gold.

Why it works

It does not even matter if no-one ever reads this blog, if no-one ever watches the videos. Just the threat of letting someone else down by not following through with what I’ve promised, is enough to keep me on track. 

The beauty about the 30 in 30 is that it isn’t just one big deadline, where I procrastinate for weeks, eg. cleaning and organizing the house.  Then pull an all-nighter just to come through in the nick of time (a skill I perfected during 4 years of University).

It is a series of 30 smaller deadlines. The idea being that somewhere during that month, the little things you do start to add up to greater insights, and even change.

Someone like myself who has to fight through analysis paralysis at times, has no time for perfectionism when fighting this clock.

I can’t spend all day refining each post, I can just let the words flow, try to clean it up a little. Then move on to the technical aspects of  preparing the pics, videos etc. for the blog post, and then share the link on social media etc. Hopefully before everyone has gone to sleep!

I believe in the process.

Timelapse video newbie

This video makes me laugh. I had a technical malfunction with my tripod, but my husband fixed it in 2 seconds flat & I have higher hopes for tomorrow.

I do need to change my camera position though, because so far I’ve been working fast, and sitting close, right up in front of the peony painting.

At some point tomorrow I’m going to need to stand at the easel & walk back & forth as I evaluate how the values in the painting are working as a whole, and make the necessary adjustments.

I hope you’ll return tomorrow to check on the progress.

While you’re here, take a look at the menu to see some of the flower/landscape/abstract paintings on my website.

New Painting – Pink Peony Progress

Pink Peony Painting in Progress

pink peonie wip
Pink Peony Please wip #1

I’m doing a 30 in 30 painting challenge. I’m hoping to post a new timelapse video of me painting each day for 30 days. I hope you will follow to see my progress.

Any comments, views etc. will probably help motivate me, though really my reasons  for doing this are selfish, I’m using it as an accountability tool.

I’m starting off with this painting of a peony, the first time I’ve ever painted this type of flower.

You can see this timelapse video  and more on my YouTube channel.

I’ll write more tomorrow …. I’m racing against the clock to post this right now. The whole point of me doing this is to use it as an accountability tool, as I’ve been caught up in volunteer work and I need to carve out painting time to create a new body of paintings.

This painting  of the pink peony is not part of that series, but it is the first timelapse painting video I’ve ever done, and so it’s all part of the process.

Subscribe to my blog so you can see what progress I make tomorrow.

Hibiscus beauty, a new painting

hibiscus
Hibiscus beauty, 32″x32″, acrylic on canvas, © 2017 Donna Grandin. $1400.

A new Hibiscus painting

In 2010 I painted & exhibited a series of acrylic paintings I called Hibiscus ‘n Banana. Every now & then I return to paint another hibiscus. Instead of trying to paint the most perfect flower, I’m like a portrait painter striving to pull out what is unique in each subject. The beauty is in the variations.

Thanks to my cousin, Patrice Esper for letting me use her photo of a an orange hibiscus as reference for the painting. I very rarely paint from someone else’s photos, but the lighting on the hibiscus was so beautiful. I started to paint it in my head as soon as I saw it.

In the interim

There were many months between the start and finish of this painting, and between this post and my last. A variety of projects & distractions took me away, and the truth is, I’m not sure if it’s worth the time to blog anymore. I’ve been posting work-in-progress photos on Instagram, as well as other things that inspire me, and this “micro-blogging” is much more immediate, less time-consuming.

This summer I took the family to St. Lucia for a month, and it was an epic trip – first time my parents, my brother & his wife, my husband & our boys, and even my mother-in-law were in the same country at the same time. So we crammed as much into that trip as we could, and some of the highlights were climbing Gros Piton, Carnival, seeing an octopus while snorkeling, volcanic mud bath, and standing under a waterfall, hanging out with family & friends, having a pop-up art sale at The Inner Gallery. Then I did a 2 day side-trip to Barbados to deliver paintings to Gallery of Caribbean Art for CariFestArt, an exhibition of artists from 11 Caribbean islands, a fringe event of Carifesta.

I also took many wonderful reference photos, and I’m looking forward to painting some of them for a solo show (more on that another day).

 

 

 

Official Launch of Arts and Culture Council of Burlington

ACCOB Launch
Official Launch of Arts & Culture Council of Burlington.

So much to tell, so little time before the official launch.

About last weekend …

I’d barely caught up on my sleep from the double event last Sat – temp Public Art installation at the Burlington Public Library, and live painting/art market/tea sampling at Be Yoga & Wellness – when I had to jump back into my volunteer work for ACCOB. And while I was preparing for all of that, I was also helping co-ordinate a show of my work at Buzz Restaurant in St. Lucia., AND have a family life.

So, right now, I’m trying to do follow up (more in a later blog post), as well as try to take some time for self-care. My eyes have been fuzzy lately, so I need to make a point of getting more sleep and spending less time on computer, then hopefully when I retake the eye tests in 2 weeks there will be better results.

Of course, I still have to do my taxes, and write an article – an athlete profile of a National Tumbler – for the Oakville Gymnastics Club Fast Track Newsletter. And there is the big family trip to St. Lucia to plan.

Meanwhile, there is a lovely hibiscus painting on the easel calling my name …

What was I writing about anyway?

ACCOB Launch

Ah yes, if you are in the Burlington area, we would love to see you at the official opening launch of the Arts & Culture Council of Burlington on April 18th.

I have been going to meetings that have led to this outcome, for almost 5 years! There have been many ups and downs, and I’m happy to have met so many great people in the local Arts Community throughout this process. I am proud to be on the board of directors, having served first on the External Body Sub-Committee of the Cultural Action Plan Implementation Committee. 

And I am also Membership Chair, so I’ve been setting up the system to receive new members, and have been reaching out to local businesses who will be offering discounts to ACCOB members. It’s just a start, but it has taken a lot of work to get here.

I look forward to being part of ACCOB as it continues to grow into its potential.

 

 

 

 

 

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Art installation, art market and tea sampling

Be Yoga art opening
Live painting, art market & tea sampling  

I have 2 events happening in Burlington this Sat. So it’s going to be a busy day. First I’ll be setting up an art installation at Burlington Central Library on New Street, then I’ll be heading to Be Yoga and Wellness at Fairview & Walkers.

There I will be setting up a table with small paintings (some never been shown before) & greeting cards, and fellow artist Heather Horton will be painting live. Both of us have art on display on the walls of Be Yoga as part of an on-going display (we switch out the paintings now and then).

Also, looking forward to the tea sampling, and meeting Katie from The Monarch Tea Co.

Art Installation

Then at 1pm I’ll pack up and head back to the library. I hope to be there from 1:30-4pm for the rest of the Lost in Books event. Then it’ll be time to pack up.

art installation
Lost in Books, art installation event.

I hope you will get a chance to see my installation, called Night Garden … you’ll have to use a flashlight, to see my paintings on the stage. It’s quite an interesting effect, best experienced in person.

 

 

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Ontario apples, live painting at Culture Days

Ontario apples
Ontario apples, 20″x16″, acrylic on canvas, © 2016 Donna Grandin. $600.

Ontario Apples

Recently I went to Frootogo Farm in Waterdown to pick fresh Ontario apples. It has become a family tradition ever since we had kids, to visit a nearby farm in the fall. There is just something so cute about photographing toddlers surrounded by bright orange pumpkins bigger than they are! And it is a great way to visually mark time, as the kids in the photos get bigger each year.

Springridge and Frootogo are the two local farms that we have been to most often, but for apple picking we have to go to the latter. And that is where I got the reference photos for this painting.

live painting
Donna Grandin painting live at Culture Days 2016 in Civic Square, in front of Burlington City Hall.

Culture Days

I participated in Culture Days Burlington on Oct 1st, 2016, in Civic Square which is just in front of the Burlington City Hall. This year I was one of the artists selected to perform for an honorarium. I was not part of the Art Market, in that I did not have items for sale, but instead I painted live.

This photo shows the painting in progress, near the end of the event. I painted for 3 hours, my hope was that I would have it finished in time to do a silent auction, and that I would donate the proceeds to the Arts and Culture Council of Burlington, but I was still painting when some of the artists were packing away their booths.

I am happy with how much I got done in that short time, but instead of leaving it as a study, I decided to refine and complete it in my studio over the next week.

Live Painting

Painting with a live audience is not as scary as you might expect it to be, because quite frankly the nature of painting on a deadline is that you have to be in the moment as you focus on the immediate painting decisions. When people come up and talk to you, or there is live music and hustle and bustle around you,  it all adds to the vibe – the energy that you absorb unconsciously,  and then reflect in the art.

When you paint intuitively, you slip into a creative zone, and that crowds out any self-doubt about whether you will be able to pull off a good painting. Or worries that people will be seeing your painting as it goes through the inevitable ugly stages. In fact, people generally come up to you with positive things to say.

Every time I am hired to paint live, it is a memorable event for me, and for the audience who gets to see my painting process in person. So far, the feedback has been very positive, so I look forward to doing it again!

This painting will be on display in studio #7 during the Art in Action Burlington Studio Tour Nov 5 &6, 10-5pm, unless you e-mail me at donna@bluerootsartstudio.com beforehand to reserve it.

 

 

Water lily painting, and where to hang original art

hang original art water lily
Pink Water lily, 8″x8″, acrylic on canvas, ©2016 Donna Grandin. $250.

Pink water lily

Summer is over, but there are still a few water lilies lingering in ponds here and there. “Pink water lily” is a shot of colour, a bit of cheer as we head into what promises to be a long winter. And since it has been a while since I blogged, I  thought I would write about some alternative spaces to hang original art.

Originally I had this painting in mind for someone specific, I thought they wanted a close up of a water lily, but it turned out it was too bold, too bright to go with my other paintings in their collection. So, now it is available for someone new.

And this got me thinking about the places where people hang original art.

Alternate places to hang original art

Where do you hang your original art? In your office, your cottage, your home? In the front foyer, at the top of the stairs, above the bed, the dining room table and the inevitable couch?

How about in the eat-in kitchen, or the she-shed?

This summer I had the nice surprise of discovering one of my small paintings in the powder room of a collector and friend. Of course, I am not recommending anyone hang original, valuable art in their washroom. The steam from the shower could ruin it over time.

However, I think few of us think of using the powder room as a mini-gallery.

My friend Bridie is an artist, and like many artists, over the years she has collected a few small paintings that she has fallen in love with. Some she acquired in a show of support for a fellow artist, others she may have received as gifts.

However, as an artist herself, wall space is a premium. Home is the one place you are always guaranteed a solo exhibition!

Powder room exhibition

Recently, I popped in for a cup of tea and a chat, and as I went to use the powder room before leaving, I discovered Bridie’s solution.

She hangs a few of the small paintings on the walls of the powder room, rotating and refreshing her selection every now and then.

I already knew that she hung art in there, I always enjoyed stopping in to look at the little treasures, but it was only when one of my own popped up that I realized she changed up the art. And I wondered how many other artists had been in there and discovered their art on display? How many other people looked forward to a trip to her powder room when they came for a visit?

Just think of it. What a great opportunity to curate your own mini-exhibition for your friends and family!

Can you think of any other unusual places  or alternate spaces where you could hang original art?

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Peacock pair – new painting, new story

Peacock pair
Peacock pair, 24″x24″, acrylic on canvas, © 2016 Donna Grandin. $1100.

Peacocks in Toronto

Years ago, I was at the Toronto Zoo with my kids, when we crossed paths with a party of rowdy peacocks. They were rule-breakers, living on the edge, and the Zoo was their turf.

Peacock
Rebel Peacock breaking all of the rules, but deep down he still knew he was a prisoner.

I’m sure this guy was the leader, who became internet-famous when he escaped from the zoo last year & spent days touring Toronto rooftops, inspiring at least one viral video before returning to tell his tale to fellow zoo inhabitants, starting with the bison.

Peacock Pair

Why did he return, you ask?

peacocks
She was born on the wrong side of the tracks, but nothing could keep them apart.

I could say there was a pretty peahen he had to get back to, but a brief Goggle search put me straight. A mature peacock with a train full of fabulous feathers is more likely to have a harem.

And in fact, younger peacocks like this one tend to hang around with other peacocks. Birds of a feather flocking together, caught up in their own good looks.

The peahen on the other hand, sits on its eggs (usually 3-5) for about 28 days, and forms a community with other peahens as they raise the peachicks together, teaching them how to find food etc.

So, the peafowl I painted in Peacock Pair, are more likely to be siblings. Once again, reality bites. I was all set to write a tale of star-crossed peacock lovers who ran away together, determined to mate for life. Truth is, our fine-feathered friend, the Peacock is more of a narcissist, and a polygamist.

peafowl running
The fateful day the Peacock lovers ran away together? Or brother and sister racing each other?

Art in the Park Oakville

See the original painting – Peacock Pair – in person at Art in the Park Oakville on Mon, Aug 1. 10-5pm, and tell me which version of the story you prefer. I will be in booth #143.

There will be more than 175 booths showcasing artists and artisans who work in a variety of media, as well as a licensed food court. The venue is also beautiful, Bronte Heritage Waterfront Park is right on the lake at the foot of Bronte Rd.

If you are over 12yrs, there is a $5. cover which will go towards the Oakville Art Society, which has been putting on this well-organized art fair since 1965.

 

Around 2am this morning I hit the tipping point in this painting where I knew I’ll be able to pull it off (eventually). I don’t often share my WIP unless the painting is already completed, because it goes through such an ugly stage. Even though I’m the one with the brush, I want to be surprised by the outcome, so my painting process can be quite chaotic. Personally, I’ve found that’s the route to the good stuff. Anyway, the quiet was broken by thunder and rain just as endorphins were flooding my system (tipping point = magic) which led to me making this video! Please follow to see the finished painting. #canadianartist #burlington #peacock #artforsale #artstudio #painting #art #wip #magic #creativeprocess #nightowl #artintheparkoakville

A video posted by Donna Grandin Fine Art (@donnagrandin) on

To see some more of the original acrylic paintings I will have at the park, visit my website www.bluerootsartstudio.com.

I will also have some greeting cards. And I can tell you more about the 30 small paintings in 30 days challenge I will be doing in September.

Hope to see you soon, please e-mail me if you have any inquiries!
Donna Grandin
donna@bluerootsartstudio.com

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Floating flowers, painting water lilies

water lilies
Floating flowers, 24″x24″, acrylic on canvas, © 2016 Donna Grandin. Available at Art in the Park Oakville, Aug 1.

Floating flowers

There is something so alluring about water lilies, floating flowers, I think it’s because they’re both obvious and mysterious at the same time.

Most of us don’t have water lilies growing in our gardens, they are not a part of our everyday lives, so it is a delight to spot them – in a pond in a Provincial Park, on a friend’s property, or at a hotel or restaurant.

In this case, my reference photos were taken in the Hendrie Gardens at the Royal Botanical Gardens in Burlington, ON.

By “obvious” I mean predictable, the petals follow a certain pattern. They’re big, brightly coloured, beautiful, but if you’re photographing them, one fully bloomed flower looks much the same as the next.

I think it is because they have stiff petals, so they generally stay in place, unlike the paper-thin petals of hibiscus flowers, which flutter in the wind, or rest uncomfortably when crowded by leaves and branches. There is a serene, time-less beauty about water lilies, whereas hibiscus flowers are active, unpredictable in the slightest breeze – striking one pose after the other, and like paparazzi I click and click in a frenzy. The same flower can yield numerous compositions, invoke a variety of moods for me to paint.

When I zoom in on a water lily (like any other flower), there is a heady hunt for the perfect photo where the bloom fills the frame, and the image is crisp. Whether or not the photo will inspire a painting, there is pleasure in the capture.

Wading in

The thing about water lilies though, is that they are floating flowers. Often they are hard to get close to, unless you’re willing to wade into the pond, and depending on the quality of the camera – or skill of the photographer – that perfect macro photo can be quite elusive.

Once I was photographing a friend’s garden, and seeing my interest, and wearing the right get-up for it, she did go in and pick a white flower for me. We set it up in a bowl of water in the kitchen and I was delighted to be able to get as close as I wanted to, to examine the details, and photograph from any angle.

That was more than a decade ago, and I have yet to do a painting from that photo shoot. I realized that a huge part of the allure of the water lily for me as a painter, is the opportunity to also paint the pond reflections. With the flower, I feel constrained by the predictable contours, but reflections are an invitation to play.

Painting Water Lilies

I have always preferred to paint flowers in situ (so that the environment they have been growing in adds context) rather than isolate them – for example, painting them with a black background. The goal of that style of painting seems to be to paint the ideal version of that flower, or a stereotype, whereas even when I paint a flower realistically (which I’m less and less inclined to do), I tend to let loose in the background.

In fact, I’m probably drawn to confusing, messy backdrops. And it’s not just the pull of abstraction, it’s because I think the imperfections and idiosyncrasies are what help to convey individuality, and therefore authenticity. When I paint a single flower, I approach it as a portrait of that flower.

As you can see by this painting, Floating Flowers, I’m not really going for accuracy in terms of the details, but I’m trying to capture a mood, convey a feeling that the viewer may recognize, and appreciate.

So far, I have not painted a close up of a water lily, instead I’ve chosen to step back a bit, and include some lily pads. Often lily pads are much more chaotic than the water lilies they surround … they’re ripped, overlap each other or curl at the edges. This adds variety & character to a composition.

Possibilities

There really are endless possibilities, even if an artist stuck to one subject, like water lilies. So far I’ve been painting them in the middle ground, with a loose style, but I’ve had a student do a close up of the flower and render it in a much tighter, traditional way. And of course when most people think of water lilies and art, they think of Monet’s big, gestural Impressionist landscapes.

I have not painted a landscape with a pond yet; on a regular sized canvas, the water lilies would just be dots. However as I write, I am getting excited to try a close up of a water lily, but painted in a semi-realistic style, using patterning. The eye loves a mystery, and the artist loves a challenge.

 

 

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