Tag Archives: abstract

Peacock feather fantasy triptych

peacock art
Peacock feather fantasy (1), 6″x6″ each canvas, acrylic on canvas, © Donna Grandin. $300. triptych

I painted this peacock fantasy triptych earlier in December, but only got around to photographing it today. It has been a strange month. I have to admit that I was caught up in the mural project and did not plan far enough ahead for the Christmas season.

I did have more Art Cards printed, and I shipped some of those and some original paintings out this month.

I also ordered a tote bag and cushion covers from with my images from Pixels as samples. They are in St. Lucia right now, you can view/purchase at Island Mix if you’re fast!

I have a few images uploaded on that site, you can order prints and greeting cards as well as a few home decor items, and they will be shipped directly to you, wherever you are.

peacock art
Peacock feather fantasy triptych, 6″x18″ each panel, acrylic on canvas, © 2015 Donna Grandin

The small peacock abstracts were popular this year – I only had one left, so I thought I would create a pair for it. I started with the same colour palette, but then I decided to add some light blue and little by little a whole new triptych emerged.

The individual canvases do not have to be installed quite so close together, each can be displayed on its own. I just like to paint in series, especially if I hit on a combination of colours etc. that I like.

peacock art
Peacock feather fantasy (2), 6″x6″ each canvas, acrylic on canvas, © Donna Grandin. $300. triptych

 

peacock art
Peacock feather fantasy (3), 6″x6″ each canvas, acrylic on canvas, © Donna Grandin. $300. triptych

There is an air of fantasy about this series, and so maybe it is appropriate to release it on New Year’s Eve. It reminds me of feather boas, champagne & fireworks. Celebration.

Best wishes for 2016!!!

 

 

Eyecatcher – Peacock abstract painting

Eye Catcher
Eyecatcher, 30″x30″, acrylic on canvas, © 2015 Donna Grandin. $1400.

What I really enjoyed about painting this Peacock series is that while all the artworks are tied to a central motif (peacock feathers), each one – as someone remarked on Facebook today – is so “different and unique”.

It’s like jumping off a rock into a river … you can keep returning to the same rock, but the water keeps flowing so the conditions are never exactly the same twice.

Each painting is a result of similar, but slightly different circumstances … I might stand at the same easel, with the same paints and brushes, but now I have the experience of another painting behind me, and whatever happens to me before I come to the easel – or even while I am at it – affects my thoughts and moods, so that I am never exactly the same twice.

I also like to remain flexible so that I can try out new ideas – they don’t always work out, and in fact the painting often goes through ugly stages, but as Anne, of 337 Sketch Gallery once said to me “You, will keep working at it, until it does work out”.

As a younger painter, I always felt I was doing something wrong … theoretically I knew of a faster, simpler way to get an image down on the canvas, but I just could not bring myself to go that way, no matter how many times I tried … I always ended up taking the long way around.

Finally, after years of painting, and having a certain amount of success, I realized that I’d been slowing myself down, fighting against my natural process.

Even up to a few years ago, when the Burlington Fine Arts Association had John Leonard (established artist & teacher, McMichael Canadian Art Collection, Kleinburg, ON ) visit to do a critique of member paintings, and he was very complimentary about my work (tropical florals), I still couldn’t resist bringing up the issue with him. His response was “Just keep doing what you’re doing, because it’s working!”

When I accepted my own way of working, instead of trying to fix it, I realized that the very things that I saw as my challenges, were what made my art interesting, because of the specific solutions I had developed to accommodate those challenges.

Our personal style, lies in our imperfections! I mean no-one goes around saying “Van Gogh could have been such a great artist, if he’d just have learned to draw more accurately!”

Eyecatcher is my painting for today. I think it is the kind of image that is fun to sit and contemplate … there are all sorts of possible interpretations. What’s yours?

Art in the Park, Oakville – Monday August 3, 10-5pm.

 

 

Surreal Garden – 30 in 30 painting challenge, #30

Surreal Garden, 8"x8", acrylic on canvas, © 2014 Donna Grandin
Surreal Garden, 8″x8″, acrylic on canvas, © 2014 Donna Grandin

No, you did not enter the Twilight Zone! I painted this playful little piece a few months ago when I discovered paint markers, and I wanted to explore pattern. It was fun, but I was not sure how it fit in with my body of work, so I tucked it away somewhere in my studio.

There was a point when I was embarrassed by my “experiments”, and after photographing them, I would gesso over the image and reuse the canvas. Now when I look back, I realize that these little paintings are stepping stones, and seen individually as little islands they may not make a lot of sense, but from a distance (or rather, in time) we can see how they link up to create a path.

My work, in general has been evolving in the last 2 years, and I have been laying down more and more stepping stones. Finally, I am starting to connect them, and I am really excited about the direction I am moving in. There is still a lot of work to do, but I have a vision now of where I want to go.

Eventually I will do a post to show the progression of this idea, but for now let me just say that this “Surreal Garden” full of alien looking plants was the step before the peacock paintings.

Stay tuned!

 

 

Daily Painting Challenge, 30 paintings in 30 days. Day 24

Intrigue, 8"x8", acrylic on canvas, © 2014 Donna Grandin. $100.
Intrigue, 8″x8″, acrylic on canvas, © 2014 Donna Grandin. $100.

Before I began this challenge I wrote a list of 30 different things I wanted to do this month – monochromatic, figurative, portrait, abstract, oils etc. – and even though I haven’t looked back at the list, I think I’ve been hitting them all.

Yesterday turned out to be the day for the abstract, and like most abstracts I do it came about because I didn’t have a clear idea of what I wanted to paint. I’m not thrilled with the photo I took, I can’t seem to avoid the glare today. That’s probably because it’s snowing outside, it has been the coldest winter in a long time, and if it weren’t for the challenge keeping me busy, I’d probably be a little depressed.

I started painting late yesterday because I had to take care of some other art business tasks, one of which is to do some prep for an exhibition I have coming up next month – The SLTA Arts Showcase. I’ve been asked to be the artistic director for the Showcase, and I have been involved thus far, but this month I’ve been too busy to give it any attention, so it’ll be one of my priorities next month.

The event is on Feb 22nd in Toronto, presented by the St. Lucia Toronto Association at the Brockton Collective Gallery.  It is part of the celebrations commemorating the 35th Independence Anniversary of St. Lucia – the Caribbean island where I was born and raised till I came to Canada at age seventeen to continue my education.

 

 

Related Posts Plugin for WordPress, Blogger...