Tag Archives: Art in the Park Oakville

Peacock pair – new painting, new story

Peacock pair
Peacock pair, 24″x24″, acrylic on canvas, © 2016 Donna Grandin. $1100.

Peacocks in Toronto

Years ago, I was at the Toronto Zoo with my kids, when we crossed paths with a party of rowdy peacocks. They were rule-breakers, living on the edge, and the Zoo was their turf.

Peacock
Rebel Peacock breaking all of the rules, but deep down he still knew he was a prisoner.

I’m sure this guy was the leader, who became internet-famous when he escaped from the zoo last year & spent days touring Toronto rooftops, inspiring at least one viral video before returning to tell his tale to fellow zoo inhabitants, starting with the bison.

Peacock Pair

Why did he return, you ask?

peacocks
She was born on the wrong side of the tracks, but nothing could keep them apart.

I could say there was a pretty peahen he had to get back to, but a brief Goggle search put me straight. A mature peacock with a train full of fabulous feathers is more likely to have a harem.

And in fact, younger peacocks like this one tend to hang around with other peacocks. Birds of a feather flocking together, caught up in their own good looks.

The peahen on the other hand, sits on its eggs (usually 3-5) for about 28 days, and forms a community with other peahens as they raise the peachicks together, teaching them how to find food etc.

So, the peafowl I painted in Peacock Pair, are more likely to be siblings. Once again, reality bites. I was all set to write a tale of star-crossed peacock lovers who ran away together, determined to mate for life. Truth is, our fine-feathered friend, the Peacock is more of a narcissist, and a polygamist.

peafowl running
The fateful day the Peacock lovers ran away together? Or brother and sister racing each other?

Art in the Park Oakville

See the original painting – Peacock Pair – in person at Art in the Park Oakville on Mon, Aug 1. 10-5pm, and tell me which version of the story you prefer. I will be in booth #143.

There will be more than 175 booths showcasing artists and artisans who work in a variety of media, as well as a licensed food court. The venue is also beautiful, Bronte Heritage Waterfront Park is right on the lake at the foot of Bronte Rd.

If you are over 12yrs, there is a $5. cover which will go towards the Oakville Art Society, which has been putting on this well-organized art fair since 1965.

 

Around 2am this morning I hit the tipping point in this painting where I knew I’ll be able to pull it off (eventually). I don’t often share my WIP unless the painting is already completed, because it goes through such an ugly stage. Even though I’m the one with the brush, I want to be surprised by the outcome, so my painting process can be quite chaotic. Personally, I’ve found that’s the route to the good stuff. Anyway, the quiet was broken by thunder and rain just as endorphins were flooding my system (tipping point = magic) which led to me making this video! Please follow to see the finished painting. #canadianartist #burlington #peacock #artforsale #artstudio #painting #art #wip #magic #creativeprocess #nightowl #artintheparkoakville

A video posted by Donna Grandin Fine Art (@donnagrandin) on

To see some more of the original acrylic paintings I will have at the park, visit my website www.bluerootsartstudio.com.

I will also have some greeting cards. And I can tell you more about the 30 small paintings in 30 days challenge I will be doing in September.

Hope to see you soon, please e-mail me if you have any inquiries!
Donna Grandin
donna@bluerootsartstudio.com

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My first outdoor art fair

Donna - AIP
Donna at Art in the Park Oakville

Well, now I have another experience under my belt – outdoor art fair. It is something I never thought I would do, because I had visions of scrambling to keep my paintings dry as it poured with rain. I’ve  exhibited my art in group and solo exhibitions since 1996, but with the exception of a few paintings in a shared tent for a few hours, they have all been indoors.

Peacock abstracts
Peacock abstracts at AIP

However, at some point I realized I’d been concentrating on the painting side of things, and not enough on the “getting the art seen” side of things and the studio was filling up. So I decided to apply to Art in the Park, after all, it was around the corner, and just a one day event, and maybe I wouldn’t even get juried in.

Except I was. Enter the panic … I need a tent, a waterproof one in case of rain. And a display system.

Luckily I know other artists who have been doing outdoor shows, so I reached out to them. Lois Shaw was a really great help, and pointed me in the right direction – I LOVE my mesh walls for hanging the art, even though they cost an arm and a leg.

Bronte
AIP, Bronte Heritage Waterfront Park

This was actually the 50th annual Art in the Park, organized by the Oakville Art Society, and it is held at Bronte Heritage Waterfront Park, by Bronte Harbour.

The location is amazing as you can see, and there was live music, and so much great art. The whole event was well organized, everything went very smoothly, I will certainly be applying again next year.

It rained a lot the day before … I swear the clouds formed a black arrow towards the park! However, by the time we arrived the next morning to set up it had stopped raining, and the ground miraculously was not soggy – but my husband was said it made putting in the tent pegs a lot easier.

Also I think someone’s vehicle stalled, and so we were blocked in in front of our spot, so their bad luck was our good luck because instead of having to drop everything off, park the minivan and then set up the tent trying not to trip over everything on the ground, we were able to do nearly all of our set up before my husband had to go park it.

Donna's booth at AIP
Donna Grandin’s art booth at outdoor art fair, Art in the Park Oakville

There are definite differences between showing in a gallery setting, and showing in an art fair, and it will take some getting used to as I learn the psychology behind it.

The first thing is that in a gallery you want the focus to be on the art, so you leave a lot of space between paintings, and you have easy to read white labels with title, size, year created, artist name, and price. The idea is for people to be able to linger in front of a painting and contemplate it, and then maybe imagine it in their home.

In an art fair, people are walking through way faster than you would expect them to … they have their dogs with them, maybe their kids, and it seems as if they’re in a hurry to “get through” so that they can cram something else into the beautiful day.

I’ve seen them push strollers pass booths without even looking in. Maybe they’re engrossed in conversation with a friend. It can be discouraging.

So a photographer friend, an art fair veteran, suggested I put one of my paintings out front, to attract attention. It was near the end of the day, so I gave it a try, and I think it did work, but I had to stay close because I saw one slobbery dog start to veer towards it and if he had swung his head more to the left as he passed, my painting would have had a shower!

Anyway, I have some new ideas to try out for the next time. Like everything about art and an art career, this is going to be an ongoing process.

I made this 39 sec video to show you my booth and what was around it!

 

AIP collage
Art in the Park Oakville collage

One of the reasons I did this art fair was to get feedback on my new series of peacock feather-inspired abstracts. And I also brought florals because I had mostly florals on my site when I was juried in.

I really did think that one series might be more popular than another, but surprisingly throughout the day I had people commenting on nearly ALL of the paintings! From peacock feather abstracts to fiddleheads, from water lilies to tulips … it seems there was something for everyone.

Anyway, the next step is to find some other outdoor shows to apply to – probably for the spring. Meanwhile, I have a big project to start working on …

 

Welcome to my Peacock Garden

Peacock garden, 24"x36", acrylic on canvas, © 2015 Donna Grandin
Peacock garden, 24″x36″, acrylic on canvas, © 2015 Donna Grandin

I love the mysterious, magical quality of this painting. It started out as a follow-up to “Fernscape 2”, and was supposed to only have ferns in it, but it just wasn’t quite working. So I put it aside for a week while I worked on something else, and when I returned to it, peacock feathers started appearing.

A few of the paintings I worked on last year had this Night Garden feel to them. For example, “Choices” and “Behind the garden gate”. 

You are not imagining it, my art has become darker over the last couple years. For so long my attitude was that I just wanted to paint upbeat, joyful images to increase the beauty in this world, and not dwell on negativity, which would just be feeding it.

At the time, that meant bright, vibrant, “sunny” colours … sometimes I literally painted on yellow canvases.

But the times we live in have a dark undertone, and I am not immune to it. As artists, it is not just our nature, but our job to FEEL, and to be a channel – through our art – to make others FEEL.

And a big part of that is in being honest, and open. To be sensitive to our surroundings. To be vulnerable. That is how we make art that people can truly connect with … because they recognize the truth in it.

Yes, there are people – artists and non-artists – who will manipulate. And there are times when the price of being honest is high, but I think for an artist especially, the price of remaining “on brand” is even higher.

I am thinking of Robin Williams… or rather the idea of him, someone who brought joy and laughter to so many people, people who had no clue of the darkness he was going through.

And what does this have to do with the painting?

Well, I’ve often thought of the Caribbean landscape as being a metaphor for life … the bright sunlight creates long dark shadows.

On one hand there are the vibrant, happy hibiscus flowers that I have painted so often before – reminiscent or maybe even symbolic of lazy days by the pool of some tropical resort. Some days I just need to paint hibiscuses.

But life has more nuance to it.

The thing that grips me, that I discovered when I painted my Jungle Rhythms series years ago, where I played with the organic shapes and visual rhythm of tropical foliage, was an abstract sense of “growth”, the cycle of life, being swept up in something that is bigger than oneself.

It is that spiritual connection you feel when you are mindful in a natural setting.

And there is so much life in the shadows.

So much beauty.

Not the kind of bold, in your face beauty of a close-up of a detailed realistic painting of a flower, but the overarching flow and harmony of an impressionistic landscape, semi-abstract, or abstract painting.

The interesting thing about blogging, is that there is a flow to it too. Some weeks or months I only get on to post about upcoming events, and it is all about the facts.

And other times, when I get into a daily posting habit, my reserve wears away, the words slip by faster and faster, from a trickle to a flood. And all sorts of flotsam and jetsam is dragged along with it.

There isn’t time to edit and polish. I upload an image of a painting, and I begin typing this “stream of consciousness”.

I hope that you find it entertaining if not insightful, but if you have read thus far, you are certainly in the minority as most people these days seem to just skim through to look at the images.

So, thank you for joining me today, for this walk amoung the ferns in my head.

Two more days till Art in the Park Oakville! I’m getting excited now.

Feather flower – peacock painting

feather flower
Feather flower, 20″x16″, acrylic on canvas, © 2015 Donna Grandin. $700.

Well, what can I say, except that this peacock painting just seemed to paint itself? There comes a time when you’ve been painting a subject for a long enough that you start to develop your own language, a way of applying paint, repeating motifs etc. I know this one won’t be for everyone, but hey, it’s fun!

Original art, in search of an original collector! Whether it is I, or an art dealer, who eventually acts as matchmaker, the collector will be someone with bold taste.


I am posting very late tonight as I was catching up on my finances all day … had to file hst for the last quarter, and there were MANY receipts to enter into my system!

Please don’t forget to look back at earlier posts to see if you’ve missed any of my new image. www.bluerootsartstudio.com/blog

E-mail donna@bluerootsartstudio.com if something catches your “eye”. (That’s a peacock pun, in case you missed it).

4 days till Art in the Park, Oakville! Remember, I’ll be in booth #143.

 

 

Nesting – abstract painting, peacock series

Today’s painting was created in my Hamilton studio, on the second floor of the building at 337 Ottawa St. N … around the corner from 337 Sketch Gallery. There are a few artists & photographers renting space there, but a lot of available space in case any of you are looking.

I was lucky enough to be able to rent a room short term for the project I had in mind – I’m calling it a “self-hosted residency”,  for the artist whose kids are still too young for her to apply for a proper residency.

Despite the crazy time frame (on a good day that would be the hours my youngest was in school, minus the commute back & forth), I was prolific during that time.

WIP pics of Nesting, 24" x24", acrylic on canvas, © 2015 Donna Grandin

I thought I would show you some of the stages that this painting went through … especially because I know there are a number of artists following along.

To be honest, when I started with the pthalo blue background, I intended to let the wispy bits of the feathers fade into the blue … but then I mixed up a nice buttery colour and I just got carried away cutting away the negative shapes around the wreath shape.

That left me with a blue wreath floating on a light background. So then I got the idea to add a pattern, to help integrate the different elements of the image  … and I started with circles.

How about a wreath floating, on a stoney riverbed?

I filled in some of the circles, creating depth, making them less like circles. In fact some looked a little like … eggs. After all, I’m painting peacock feathers … so eggs aren’t a stretch.

Up until this point I had been flipping the painting around and around as I went, not quite sure I wanted to assign a right-side-up to it.

As I played with the idea that the stones could actually be eggs, I really began working on the shadow. That’s when the orientation became obvious to me.

I decided to leave room for multiple interpretations of this image.

The research I have done on peacock imagery shows that over the years it has been used as a symbol of immortality, resurrection, rebirth. 

Nesting
Nesting, 24″x24″, acrylic on canvas, © 2015 Donna Grandin. $1100.

Every day until Art in the Park, Oakville which is on August 3, I will be posting a new painting from my peacock series. Join my e-mail list so you don’t miss any!

If you are already subscribed, and haven’t read yesterday’s notice … the daily e-mails are only for this week, after that it goes back down to 1-4x/mth!

If this painting catches your eye, and you can imagine it in your home or office, e-mail donna@bluerootsartstudio.com

Upcoming event – Art in the Park Oakville … and tablecloths

image002

The countdown is on to my first outdoor art fair, the 50th anniversary of Art in the Park, Oakville, ON.

It is so strange to still be a newbie, considering my first solo exhibition was in 1996, and I’ve exhibited numerous times in galleries & (indoor) shows in the Caribbean, Canada & even Paris, France since then!

However, it is true, although I’ve had a couple paintings outdoors before, as part of the Burlington Fine Arts Association’s tent during events at the Burlington Art Center (now the Art Gallery of Burlington) and even recently at Car Free Appleby, this is the first time I’ll have my own outdoor booth in an actual art fair.

The two biggest deterrents of course are the unpredictable weather (this same one-day art fair was hit with a bad rainstorm last year), and the tedium/hard labour of packing up kit & caboodle (what IS a caboodle anyway, and why does it always come with a kit?), unpacking at the fair (with a strict time limit) setting up, then repacking later to take home, & unpacking again when I get there. I think this gets easier once you have a few shows under your belt & have developed a system, but for now even just preparing for the event is a big deal, breaking into my regular painting schedule.

Part of that is all the research & shopping involved … I just ordered 3 table covers for my 6’x6′ table and that took all morning. An artist friend, Teresa Thompson-Martin (who will also be at Art in th Park Oakville) recommended this site, as she had just ordered black tablecloths online and they were at her door 2 days later.  I wanted a plain white rectangular tablecloth, but they were sold out. After considering several alternatives, I decided to get a white fitted tablecloth.

At Car Free Appleby I used a taupe tablecloth from home, and I tacked my coroplast sign to it with small bulldog clips. At the end of the day, my husband went off to get the minivan & I packed up the artwork in a hurry so I’d be ready to just place them in the vehicle when he arrived. I put away a few small paintings that were on the table, and then lifted up the stand with the greeting cards … and the weight of the sign immediately started pulling the tablecloth to the ground. I quickly put a hand out to stop it, but a pile of newly printed postcards hit the wet ground (it had rained on & off all day)! Luckily the postcards were glossy, and even though I was only able to wipe them down when I was home (5 min away) and had unpacked the minivan, most of the cards were actually undamaged! Anyway, a fitted tablecloth should eliminate this from happening again.

I also ordered a black fitted tablecloth AND a royal blue one. Their royal blue is the same colour as the Pthalo blue acrylic paint I’ve been in love with for the last year or two. In fact when I did the Culture Days event last September, the City of Burlington had provided a canopy & table with a royal blue tablecloth & table skirt.

It was a great accent colour, and serendipitous – the colour of the peacock-feather inspired painting I started that day, “Flow”, and the colour of the sign I made for my business – Blue Roots Art Studio. So for now, my plan is to use the royal blue tablecloth. If it competes with my art though, I’ll have the more neutral white or black to fall back on.

The thing is, no matter how much research you do beforehand, it seems you still end up having to go through some trial & error, which is why most art fair veterans say that that this too is an “ongoing process”.  I am wishing now that I didn’t make the last change to my order … from a regular black 90×132″ tablecloth to a fitted black tablecloth.

It turns out that the way you get into the fitted tablecloth to get to whatever you have stored under the table, is through the single slit which I was planning to place up against one of the tent walls … which might be awkward if there are people near the table, and things on it that might fall over when I move it away from the wall. It would have been smart to have had a regular black tablecloth as a backup. I was just thinking of how great the fitted tablecloths would look if I did an indoor event with just a table and a few grids. Then there’s the issue of signage … and the possibility of digitally printed tablecloths … you see, it never ends!

As it is, there is a slight chance that the tablecloths won’t get here in time (when you spend over $49., shipping is free, but it could take up to 2 weeks … I’m taking a gamble, I’m almost certain they’ll get here in time). In which case I’ll probably end up using my light taupe tablecloth, but at least I’ll be prepared for the next event.

Anyway, I’ve decided to post a new painting every day, from tomorrow until Art in the Park, Oakville on August 3.

I have been very silent on this blog for the last couple months because I have had a number of projects on the go, and just didn’t have the time to write about it, but I’ll be able to give more details in the next few posts.

 

Flow – a peacock feather-inspired abstract painting

Flow, 24"x30", acrylic on canvas, ©2015 Donna Grandin. $1200.
Flow, 24″x30″, acrylic on canvas, ©2015 Donna Grandin. $1200.

If this painting looks a little familiar, it’s because it has evolved over the last year … it started as a demonstration, at a live painting event.

You can read about it in this earlier blog post, where I even created a video to show the process thus far! The initial inspiration was a peacock feather mask that I’d bought 10 years earlier, in combination with the live music … it was the first time I painted at a public event like this (Culture Days), and the energy was awesome.

In fact I had so much fun at Culture Days, I’m doing it again Sept 26 & 27 this year.  More on that in another post.

DonnaGrandin-Intheflow-f
In the Flow … wip

Although there was so much I loved about this painting, it just never felt quite finished … that could be because I’m accustomed to working a week to several weeks on a painting, so several hours of painting didn’t seem enough. And partly because although I’d designed the “eyes” as if they were notes on a music sheet, I just didn’t like the way they created a single line , pulling the viewers’s eye across the image and out.

I called the painting “In the flow” originally … and for some reason, it just seemed to remain in flux, there was always something more to do to it, so in between other paintings, I’d keep going back to it.

Eventually, in a new space, I decided to work on it to completion, and what emerged is this painting … “Flow”.  In this version I really played on the aquatic tendencies of the original, and I’m quite happy with the result.

I will be bringing it to Art in the Park Oakville on Aug 3, my booth is #143, and I hope you’ll be able to come out and see it in person!

Unless of course, one of you wants to claim it before then … if so, just e-mail donna@bluerootsartstudio.com

 

 

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