Tag Archives: caribbean

The allure of red hibiscus flowers

Red hibiscus flower
Awakening, 12″x12″, acrylic on canvas, © 2015 Donna Grandin. $350.

In 2009 I started painting a series simply called Hibiscus & Banana, and it all started with a close-up of a red hibiscus flower.

The image came to mind immediately when I tried to select a flower that represented St. Lucia to me personally.

Technically, and culturally,  the rose and the marguerite are the National flowers of St. Lucia. However, they were not as abundant, and did not have as much of a visual impact on me.

In fact, the association may persist for me because my family has always grown hibiscus bushes in the garden, so I saw them every day as a child. However, they also grew profusely around the island in those days.

Red hibiscus painting
Awakening 2, 12″x12″, acrylic on canvas, © 2015 Donna Grandin. $350.

Here is my artist statement from an exhibition a few years ago …


Hibiscus, Bananas ‘n More

Summer 2009, I went home to the Caribbean island of St. Lucia in search of reference material for my latest series of acrylic paintings. I wanted to focus on what I felt were two of the most iconic images of St. Lucian plant-life … the banana tree and the hibiscus flower. As a child, the banana industry drove the local economy, and although tourism has upstaged it, the island is still covered in banana trees – farmed, wild and decorative. Islanders take pride in being able to eat off of the land, and most properties boast a variety of fruit trees. On the other hand, the hibiscus flowers were harder to find. In recent years many plants, including the one at the end of my parents’ porch, were lost to the pink mealybug, and drought. The best specimens I found were on the grounds of hotels and restaurants. In 2010, I travelled to both St. Lucia and Trinidad, and have since expanded the series to include croton and flamboyant images.

I paint living plants interacting with their environment, sun shining through the leaves, wind blowing the petals, other plants in the background adding contrast. I try to express the atmosphere, a specific  moment in time, and my feelings about the place. Although my paintings are representational, my actual focus is on the abstract rhythms of Nature. I play with the organic shapes and vibrant colours to create uplifting and engaging images. I paint because I love the creative process, however it is my hope that the finished paintings bring joy and beauty into our everyday lives.


red hibiscus painting
Still blooming, 30″x36″, acrylic on canvas, © Donna Grandin, 2012. Available at The Inner Gallery, St. Lucia

Although I have gone on to paint other imagery, every now and then I find myself returning to this motif. I just took a look at my records and out of the last 100 paintings I’ve done (not including small daily paintings), about 1/5th of them feature hibiscus flowers!

The interesting thing about hibiscus flowers is that I encounter them here in Canada all the time too … they can be found year-round in green-houses, or as potted house-plants, and in the warmer weather they are available as large flowering plants from anywhere that sell plants (even grocery stores!). And that’s just the traditional hibiscus, not counting the hardier varieties that are now available in colder climates.

I think the allure of the hibiscus flower is partly due to the bright colour … certainly that cheerful red is why I have been painting hibiscuses lately, as a weapon to combat the winter blues!

Subconsciously, I think we are also drawn to hibiscus flowers, like so many birds and insects, because of the erotic design. The generous petals open wide like out-flung limbs promising an embrace, but really are just there to draw attention to the pistil, to play their part in the survival of the species.

Precious gems, 30"x36", acrylic on canvas, © Donna Grandin, 2012
Precious gems, 30″x36″, acrylic on canvas, © Donna Grandin, 2012. Available at The Inner Gallery, St. Lucia.

For all their glorious beauty, hibiscus blooms only last a day or two, and are delicate, which is why they do not show up as often in tropical bouquets.

In fact, hibiscus flowers are a common choice for tattoos, especially in women, symbolizing delicate beauty, fragility, as well as love, passion, and a laid back life-style.

I mentioned in my statement earlier, finding hibiscus flowers growing mostly at hotels and restaurants. That is because even during the dry season when the general public will hold off on watering their flowering plants, these businesses have to try to keep them alive. They help create “atmosphere”, and it is not just that they are decorative and make the place more attractive to patrons.

It also has to do with the connotation of rest and relaxation, “fun in the sun”, and everything else positive the world thinks of when they think of a tropical vacation.

Images of pretty girls with hibiscus flowers in their hair (which is only ever done when posing for a photograph), or as part of a pool-side scene with umbrella-drinks and lounge chairs.

Dressed to impress. 24"x36", acrylic on canvas, ©2012 Donna Grandin. Contact the Inner Gallery, St. Lucia
Dressed to impress. 24″x36″, acrylic on canvas, ©2012 Donna Grandin. Available at The Inner Gallery, St. Lucia

I have painted hibiscuses in a range of colours – pinks, yellows, oranges, reds, and white, and I think of them as portraits. I try to paint the individual flower, or grouping of flowers, with its unique environment, rather than a generic, formulaic version.

While there may be stylistic similarities tying all my hibiscus paintings together, there are so many different kinds of hibiscus plants, and so many ways to present them – varying the positions, backgrounds, lighting, stage in cycle of life, painting techniques and media etc. – that I am sure I will return to this motif time and time again, and I will find something new to explore each time.

You can find some more of my hibiscus paintings here.

Contact me here if you’re interested in any of my available paintings.

Caribbean Imagery – looking back at my early paintings

Nicole, 48"x36", acrylic on canvas, 1998
Nicole, 48″x36″, acrylic on canvas, 1996

Recently, I have been taking a look back at some of the work I did in my early 20’s.  I am closing in on my 40th birthday, so I thought it would be fun to do a countdown, I’ve been posting a painting a day on my Facebook page, as the cover image.

The paintings featured in this blog post are from the series I  did in my last year of my BA in Art at McMaster University in Hamilton. When I exhibited the series at Gallery on the 4th, Hamilton Public Library, I named it “Caribbean Imagery”. It was my first solo exhibition in Canada.

Nicole was a Trinidadian girl I met in Psychology 101 at McMaster, she was one of my bridesmaids. I actually had her put on my blue wrap & took reference photos of her against the white door of my room in the student house I was living in. Then I just made up the background.

Soufriere, 36"x48", acrylic on canvas, 1997. Sold
Soufriere, 36″x48″, acrylic on canvas, 1997. Sold

Not long after I did this painting, the shoreline was wiped out by a hurricane, and some of the residents had to be relocated. Many people commented to me that I had recorded a piece of history, and this painting was one of my most popular of the series.

The collector who bought it had a large collection, but said that this one always drew comments from visitors, and when he relocated to the United States, he took it with him. We happened to meet a couple years ago & he showed me a photo of it hanging over his fireplace, next to it was a painting by my high school art teacher, Sir Dunstan St. Omer.

This painting was included in our graduating exhibition at McMaster Museum of Art in Hamilton in 1997.  It was placed on a feature wall which was painted the same yellow as the buildings in painting.

Coalpot, 48"x36", acrylic on canvas, ©1997 Donna Grandin
Coalpot, 48″x36″, acrylic on canvas, ©1996  Donna Grandin

This was the first painting of the series, one of my favourites, so I’ve held on to it.

I apologize for the quality of the images, I did get professional slides made of the series, but I still haven’t scanned those slides in directly, so I’m not sure but these could be scans of photos of the slides, or worse yet scans of photos I took myself. Regardless, they are darker than the original paintings.

I knew when I was painting “Coalpot” that I’d made a breakthrough in my work. This series is why I graduated from my program with Honours.  Up until that time I was just full-filling requirements on my assignments, trying to get good marks. This series was more personal.

Drifting, 36"x48", acrylic on canvas, © 1998 Donna Grandin
Drifting, 36″x48″, acrylic on canvas, © 1997 Donna Grandin

Also, up until this series I worked in a variety of media, but I only did one oil painting that year, I realized that acrylics suited me best. I could get brighter colours, which suited my tropical subject better, and I could work 12-16 hours straight on the same painting because I didn’t have to wait for it to dry. Then the next day I would do writing assignments, classes & household stuff … basically everything except paint. So that by the time I got back to my painting I was refreshed. I have always worked best this way. But I’ve never had as perfect a set-up as that last year of school where I shared a large studio on campus with a handful of other students, and had no other responsibilities but to do my best work.

Domino players, 48"x36", acrylic on canvas, © 1998 Donna Grandin
Domino players, 48″x36″, acrylic on canvas, © 1996 Donna Grandin. Sold

This painting was bought by someone working in the St. Lucia Consulate in Toronto, and the Prime Minister of St. Lucia saw it hanging there & asked for me to contact him about , etc. etc. I am not sure who owns it right now … but I believe it was resold in St. Lucia.

The men are playing dominos on their lunch break. The man with the hat has passed away, but he was the father of the man in the painting further down in this post, called “Friends”.

Vivian, 36"x48", acrylic on canvas, ©1997 Donna Grandin
Vivian, 36″x48″, acrylic on canvas, ©1997 Donna Grandin

When I was choosing what I would paint for the year, it occurred to me that I may be marrying my boyfriend, and that would mean I’d have to stay in Canada. This series was me exploring the question of what St. Lucia meant to me. I worked on 2 paintings at a time, one figurative and one landscape, and by the end of the year one of the things I’d learned was that I was happiest paintings landscape, especially foliage. You can see in Vivian I was experimenting with how abstract I could paint foliage & have the painting still read as realistic. This was the basis of my next series, Jungle Rhythms.

Friends, 48"x36", acrylic on canvas, © 1998 Donna Grandin
Friends, 48″x36″, acrylic on canvas, © 1996 Donna Grandin

Her dress was always my favourite part of this painting, but when I painted the flowering bush I really tasted the freedom possible when painting foliage. Up close it’s dabs of colour, but further back they come together to form an image.

These were people I worked with in the summer, they weren’t a couple – he walked by when I was taking the photo of her & just made himself at home. I thought it made for a great composition though. It also says so much about how laid back West Indians can be, even at work.

Carnival, 36"x48", acrylic on canvas, © 1997 Donna Grandin
Carnival, 36″x48″, acrylic on canvas, © 1997 Donna Grandin

Each work of art, even if I’ve just had it for a short time, has a story … or a history, made up of several little interesting stories. One story that sticks with this painting for me, is its “adoption” story. I took it in to Arts Etc. Gallery Shop & Art Rental, in the Burlington Art Center (now the Art Gallery of Burlington), and someone rented it for 3 months, then another 3 months before returning it.

At some point I brought it back to my studio, where it sat while I travelled in Europe. Six months later, I got a call from the gallery – the man who had rented it for his office (a city planner) wanted to know if it was still available to buy. At that point I was either in my last trimester or had a newborn, regardless, the painting was still sitting in the studio.

I read years later that the man had taken a position in Thunder Bay, and I always thought that was a curious thing … a Carnival painting in a very northern part of Canada. Then again, I never met the collector, maybe that painting was a way for him to stay connected to/express his roots. That’s just a part of the story that will remain a mystery to me. I might create the paintings, but when I let them go, they take on lives of their own.

Caribbean Daddy, 60"x48", acrylic on canvas, © 1997 Donna Grandin
Caribbean Daddy, 60″x48″, acrylic on canvas, © 1997 Donna Grandin

It is so strange for me to look at this painting, and realize that the little boy in it is probably about 20yrs old himself now! I actually photographed the two of them at a beach party, watching as our friends played an informal game of cricket, and the background is a view of Pigeon Island causeway in St. Lucia.

This is a large painting, and there is quite the story that goes along with the tear on the bottom right corner (not seen here). However, I’ll save that story for when you visit my home studio & see it in person!

Meanwhile, please follow my countdown retrospective on Facebook, until my birthday on July 8th.

Although I was just doing this for my own amusement – and hopefully yours- I actually did hear from someone who wants to add one of these paintings to her collection. A few of them hang in my house, and a few in my parents’ house in St. Lucia. They are signed with my maiden name, Donna Gomez, and a couple as Donna G. because I thought I was being clever. There were a couple other paintings in the series, but they aren’t available anyway. If you see something you want, let me know.

 

 

Daily Painting Challenge, 30 paintings in 30 days. Day 21

 

Before the rain, 6"x6", acrylic on canvas, © 2014 Donna Grandin. Sold
Before the rain, 6″x6″, acrylic on canvas, © 2014 Donna Grandin. Sold

Intense I know. I might paint the pair to this, from photos I took while the rain was falling. On a mountainous island, when you’re up high, you can see the rain coming. When you have no-where to go, and can just look out at the rain, it’s quite beautiful.

My favourite thing as a child was to read on a rainy day. Actually, I read every spare moment I got, but my idea of bliss was to curl up in bed and read my weekend away. I loved to sit up and look out the window next to my bed at the water falling on the croton leaves. Or down the hill where the rain made puddles in the dirt road. And who doesn’t like the soothing sound of rain? Especially on a galvanized rooftop.

The rain can come on suddenly in the Caribbean, big fat drops that soak through your clothes and cool you down. Then just as suddenly it stops, and the sun shines down and dries you up. I never wore a raincoat as a child, very seldom used an umbrella. We weren’t worried about things like “acid rain”, it was just a part of nature, a fact of life.

If you were in town when the rain fell, you’d huddle under the nearest storefront with a bunch of strangers and exchange smiles and maybe some conversation. It never lasted long. And maybe we welcomed it too, after the long dry season … the same way North Americans welcome the spring after a long winter.

 

 

 

 

 

 

 

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