Tag Archives: tropical flower

The allure of red hibiscus flowers

Red hibiscus flower
Awakening, 12″x12″, acrylic on canvas, © 2015 Donna Grandin. $350.

In 2009 I started painting a series simply called Hibiscus & Banana, and it all started with a close-up of a red hibiscus flower.

The image came to mind immediately when I tried to select a flower that represented St. Lucia to me personally.

Technically, and culturally,  the rose and the marguerite are the National flowers of St. Lucia. However, they were not as abundant, and did not have as much of a visual impact on me.

In fact, the association may persist for me because my family has always grown hibiscus bushes in the garden, so I saw them every day as a child. However, they also grew profusely around the island in those days.

Red hibiscus painting
Awakening 2, 12″x12″, acrylic on canvas, © 2015 Donna Grandin. $350.

Here is my artist statement from an exhibition a few years ago …


Hibiscus, Bananas ‘n More

Summer 2009, I went home to the Caribbean island of St. Lucia in search of reference material for my latest series of acrylic paintings. I wanted to focus on what I felt were two of the most iconic images of St. Lucian plant-life … the banana tree and the hibiscus flower. As a child, the banana industry drove the local economy, and although tourism has upstaged it, the island is still covered in banana trees – farmed, wild and decorative. Islanders take pride in being able to eat off of the land, and most properties boast a variety of fruit trees. On the other hand, the hibiscus flowers were harder to find. In recent years many plants, including the one at the end of my parents’ porch, were lost to the pink mealybug, and drought. The best specimens I found were on the grounds of hotels and restaurants. In 2010, I travelled to both St. Lucia and Trinidad, and have since expanded the series to include croton and flamboyant images.

I paint living plants interacting with their environment, sun shining through the leaves, wind blowing the petals, other plants in the background adding contrast. I try to express the atmosphere, a specific  moment in time, and my feelings about the place. Although my paintings are representational, my actual focus is on the abstract rhythms of Nature. I play with the organic shapes and vibrant colours to create uplifting and engaging images. I paint because I love the creative process, however it is my hope that the finished paintings bring joy and beauty into our everyday lives.


red hibiscus painting
Still blooming, 30″x36″, acrylic on canvas, © Donna Grandin, 2012. Available at The Inner Gallery, St. Lucia

Although I have gone on to paint other imagery, every now and then I find myself returning to this motif. I just took a look at my records and out of the last 100 paintings I’ve done (not including small daily paintings), about 1/5th of them feature hibiscus flowers!

The interesting thing about hibiscus flowers is that I encounter them here in Canada all the time too … they can be found year-round in green-houses, or as potted house-plants, and in the warmer weather they are available as large flowering plants from anywhere that sell plants (even grocery stores!). And that’s just the traditional hibiscus, not counting the hardier varieties that are now available in colder climates.

I think the allure of the hibiscus flower is partly due to the bright colour … certainly that cheerful red is why I have been painting hibiscuses lately, as a weapon to combat the winter blues!

Subconsciously, I think we are also drawn to hibiscus flowers, like so many birds and insects, because of the erotic design. The generous petals open wide like out-flung limbs promising an embrace, but really are just there to draw attention to the pistil, to play their part in the survival of the species.

Precious gems, 30"x36", acrylic on canvas, © Donna Grandin, 2012
Precious gems, 30″x36″, acrylic on canvas, © Donna Grandin, 2012. Available at The Inner Gallery, St. Lucia.

For all their glorious beauty, hibiscus blooms only last a day or two, and are delicate, which is why they do not show up as often in tropical bouquets.

In fact, hibiscus flowers are a common choice for tattoos, especially in women, symbolizing delicate beauty, fragility, as well as love, passion, and a laid back life-style.

I mentioned in my statement earlier, finding hibiscus flowers growing mostly at hotels and restaurants. That is because even during the dry season when the general public will hold off on watering their flowering plants, these businesses have to try to keep them alive. They help create “atmosphere”, and it is not just that they are decorative and make the place more attractive to patrons.

It also has to do with the connotation of rest and relaxation, “fun in the sun”, and everything else positive the world thinks of when they think of a tropical vacation.

Images of pretty girls with hibiscus flowers in their hair (which is only ever done when posing for a photograph), or as part of a pool-side scene with umbrella-drinks and lounge chairs.

Dressed to impress. 24"x36", acrylic on canvas, ©2012 Donna Grandin. Contact the Inner Gallery, St. Lucia
Dressed to impress. 24″x36″, acrylic on canvas, ©2012 Donna Grandin. Available at The Inner Gallery, St. Lucia

I have painted hibiscuses in a range of colours – pinks, yellows, oranges, reds, and white, and I think of them as portraits. I try to paint the individual flower, or grouping of flowers, with its unique environment, rather than a generic, formulaic version.

While there may be stylistic similarities tying all my hibiscus paintings together, there are so many different kinds of hibiscus plants, and so many ways to present them – varying the positions, backgrounds, lighting, stage in cycle of life, painting techniques and media etc. – that I am sure I will return to this motif time and time again, and I will find something new to explore each time.

You can find some more of my hibiscus paintings here.

Contact me here if you’re interested in any of my available paintings.

Sexy pink heliconia – 30 in 30 – day 4

Sexy Pink Heliconia 2, 10" x 8", acrylic on canvas, © 2014 Donna Grandin. $100.
Sexy Pink Heliconia 2, 10″ x 8″, acrylic on canvas, © 2014 Donna Grandin. $100.

This variety of heliconia … the “sexy pink” is very exotic looking. I only recently came across it in St. Lucia. We do have a wide range of heliconias … my other favorite is the yellow and red “lobster claw”.

Originally, this was a realistic painting, but I decided it was too busy and I wanted to experiment with carving out the negative space. From there I decided to contrast the realism of the flower with colour blocks. The turquoise is from Paris … Sennelier acrylic … my kind of souvenir.

 

“Painting in a day” Thurs – Valentine Hibiscus

Valentine hibiscus, 6"x6", acrylic on canvas, © 2014 Donna Grandin. Sold
Valentine hibiscus, 6″x6″, acrylic on canvas, © 2014 Donna Grandin. Sold

Love is in the air this month. I’m stretching it out from one day to one month. Last year my son wanted to know why he had school on Valentine’s day, because what is more important than love?

This is not exactly what I had in mind when I started the painting… initially I was going to use the red hibiscus for the colour and then a black & white Zentangle heart behind. However, while I have decades of acrylic painting behind me, I have zero experience doing Zentangles. If you don’t know what I’m talking about, it’s a sort of doodle, take a look here. You just might fall in love.

If you have been following along, you may have noticed that last week I incorporated some doodling into my “Flights of fancy” painting. I am still at the stage where I can visualize something cool – using this new technique – but not quite manifest it. Right now I’m preoccupied with a couple of upcoming exhibitions (the St. Lucia Toronto Association Arts Showcase is in 2 days) and applications that are due soon, but hopefully by next week I’ll have some further progress to report.

There is also an idea for a more serious body of work brewing, or maybe stewing, in the back of my mind. It revolves around my experience as a Third Culture Kid, so it is very personal to me, however each year our numbers increase and I like the idea of using my art to connect with others. I’ve been in flux for some time now, and I’m curious to see the effect of taking my creative process public. I enjoy painting foliage, and I have no intention of abandoning it, but this onion has many more layers.

It is time to embrace the internet and push back at the old-fashioned “the butcher, the baker OR the candle-stick maker” mentality. It’s like I tell my kids, now you can be the butcher, the baker AND the candle-stick maker! In fact, we’re probably a generation behind the times, at this point it feels like you HAVE to be butcher, baker & candlestick maker (have you read or written a bio lately?). Artists have long had to wear several caps, but these days with the rise of Entrepreneurs, it is becoming the new “norm”.

Ok, back to the painting, I actually painted my way through several variations which were equally interesting. I might go back & do a few more later. Or it might just be a stepping stone to the next plateau. Time will tell.

 

Update: Someone bought this painting as a wedding gift, which I think is just perfect!

 

 

 

 

Daily Painting Challenge, 30 paintings in 30 days. Day 28

Bird out of Paradise, 10"x8", acrylic on canvas, © 2014 Donna Grandin. $150.
Bird out of Paradise, 10″x8″, acrylic on canvas, © 2014 Donna Grandin. Sold

I think this is my breakthrough painting from this challenge. The image is from a photo shoot I did a few winters ago where I wandered around my backyard taking pics of a Bird of Paradise flower. I think the concept is obvious, in fact I probably didn’t paint it earlier because I felt it was TOO obvious, but now that I’ve actually painted the image, I love it!

My original idea was to photograph the flower in different obviously-Canadian scenes, the flower personifying myself, and to use the reference to paint a series. However, I have lots of other painting ideas and projects, so they sat on my hard-drive biding their time. Now, I can see doing a series of different tropical flowers in snow scenes. And that’s just the tip of the ice-berg.

The original title that came to me was “Self-portrait for Antonio”, because recently I asked my Facebook friends if there was anything they’d like to see me paint during the 30 in 30 Challenge, and that was one suggestion.

Antonio & I met through a mutual artist friend in Paris in December when she & I were exhibiting in the SNBA exhibition at the Louvre. We had our first conversation sitting across from each other at a dinner table in an old Gaulish restaurant with boar heads mounted on the walls. The walls had embedded timbers and the “handles” on the front doors were the horns of some animal. Not really the place for vegetarians. But I digress … from my digressions. It was a private event for the Canadian and American artists participating in the exhibition, and Antonio is one of those people who likes to ask questions to find out what makes a person tick, and I am one of those people who lives for deep, intense conversations like that. It didn’t take him long to reduce me to tears, even though I saw it coming right from the first question.

That’s just who I am, if I feel there is a connection I’m more than willing to open myself up and be vulnerable. I feel  that is the only way to learn, to gain the insight that leads to growth – spiritual or otherwise. It’s also why I held myself back from blogging for so many years. I write like I talk and while I might sin by omission, what I do say is usually the truth. The dam has broken though… a side-effect of the Challenge.

So, it was very fitting when Antonio suggested I paint a self portrait. It’s been a very long time since I’ve done one, and the last time I even attempted painting a conceptual self-portrait it was actually a back view (with me painting banana trees, with an elephant on my head, and an acrobat on the elephant. Another concept I decided was too obvious to pursue). I’ve been putting my career goals first in the last few years, going “balls out” and I’ve pretty much regained the 50 lbs that it took me two years – and many miles of running – to lose, so I’m not comfortable staring at my own image right now. When I came across the images of the Bird of Paradise in winter photo shoot, I thought of Antonio’s suggestion and everything fell into place.

This image is part of a deeper stream of thought that I will delve into in a subsequent post, especially if it develops into a series. A major theme for me is search for cultural identity, and I use landscape as a vehicle for this, but I think this painting is the best visual expression of this search that I have created.

I just want to put it out there, for the few awesome individuals who will have read this far (shout out to ma “tribe”!), that I don’t hate living in Canada, and I don’t wish I lived in the Caribbean. I am however, always happy to be hopping on a plane. Some time ago I came across an expression – Third Culture Kid – that explained so much about myself, and it was like coming home somehow. If you’d like to find out if YOU are a TCK, take a look at this great article. And the fact is, the very nature of me being a TCK, means that a significant number of my friends, even virtual ones, are as well!

 

 

 

 

 

 

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